Game Design, Programming and running a one-man games business…

Category: game design

The early art dilemma

Posted on November 28, 2008

When I worked at Elixir and Lionhead I often got really distressed over how much artwork got thrown away. It seemed mad to spend so much time and money on getting artwork, only to ditch it and start again. Some of this was just typical inefficiency, but some of it becomes more understandable the longer you work in games.

games are very visual things. We can rant about game play vs graphics all we like, but the first impression of 99% of games is visual. It’s REALLY hard work to slog away 10 hours a day, every day on a game that actually looks really bad. Most coder art is really bad, so in order to get an idea of whether or not the game will feel any good, and to inspire you to work hard and believe in the current game, it’s important to have something that looks nice as soon as you can.

There are two approaches to this. One is to spend a lot more time than you usually do on really polishing your ‘coder art’. I’ve spent some time doing this. I know my way around photoshop, and I’ve read hundreds of tutorials over the years on how to do all sorts of arty things. I still do some of the artwork for my games (less and less of it each game. The problem with doing this is it takes up a lot of time.

The alternative is to pay an artist to do some work before you really know what style you want, or if you will keep it. This can bexcellent, because they can prompt you into a new direction, or just turn out higher quality stuff, but it also obviously costs money. Indie games are done on a shoestring. Wasting money on artwork you know you will not ship with the game is scary. But right now, looking at my mystery new game and it’s crappy coder art, I am tempted to spend a few dollars and get a proper artist to mock up some basic stuff for me…

Gratuitous Geeky Game next?

Posted on November 23, 2008

A few days ago I started work on what i thought would be the basics of my next game. I had a basic design document, and had thought about the game a lot. But the moment I started coding it, I started getting flashbacks to an older game idea I had tried ages ago and stopped work on. The more I thought about it, the more I thought it would be cool to do a game like that again.

I started coding it, and within a few hours had something on screen that made me smile. I’ve been working on it ever since, and I’m quite pleased with how it’s coming along. I almost can’t work on it without smiling.

it makes NO commercial sense for me to make it. I have 3 game ideas prepared which build on my current ‘reputation’ for doing complex simulation / management / strategy games with a real-world setting. They are all good ideas and I think they would all sell. One of them would be great for the ‘casual’ crowd. One is a potentially hugely popular and funny game. Another is more serious, maybe even political.

But this one just triggers my inner geek endorphin levels too much. People who think of me as ‘the Kudos’ guy, will wonder if the game is made by the same person. It’s very geeky, very old-school in some ways. It’s still 2D and it’s still strategic (in a way). It makes me feel 7 years old again.

I almost feel duty bound to make it, because I wish there was a game like this. For once, it’s a positech game that will look much better in video than in screenshots.  If in a few weeks time I’m still working on it (and thus am more sure I’ll stick with it), I’ll drop some hints about it.

It’s not Democracy 3 or Kudos 3.

Upsell

Posted on November 14, 2008

I’ve spent part of today tweaking the upsell for Kudos 2 today. The ‘Upsell’ is the efforts the demo makes to get you to buy the full copy. The original demo was pretty lacklustre in that there was a nag screen that had a default background with some screenshots from the game, and it basically said “please buy it”.

I figured I could do better than that, and in a flash of inspiration I replaced the default avatar on the upsell screen with the players actual avatar they used in the demo. Then, instead of the text saying ‘would your character have done well?” it uses their name, so it’s ‘would bill have done well?’ etc.

I also added a quote from a review of the game that was massively positive, to remind people how great the game is :D and I enclosed the upsell text in a nicer formatted white window so it looks much more polished.

Then I ditched the default, fixed screenshots and replaced them with 3 dynamic ones, where they constantly cycle through a total of 9 upsell screenshots, cross fading between them and thus adding some minor movement and animation (in some ways) to an otherwise boring upsell screen.

It won’t double conversion rates, but it can’t do any harm.

Also, I replied to an email about a potentially important deal for the game today. You have to make some pretty big guesses in my job. When people say “how much for the rights to X” you have to really stroke your chin and think about the right figure. At the end of the day, it’s a bit of a guess…

Game designers are blind cockney elves

Posted on September 19, 2008

All game designers are blind. Every single one of us. Peter Molyneux, Will Wright, Sid Meier, even little old me. We are all massively totally hugely blind.

In some areas.

It’s inevitable.  That game you enjoy and play a few hours each week, we spent at least a year staring at it EVERY DAY. We possibly sat in three hour meetings about the inventory screen and whether it should be done another way. If we did any serious play-testing, we saw the “you have been attacked by a cave troll” window about 500 times. It’s not news to us, it’s just like the furniture. No big deal.

When I used to work in city server rooms, I ended up totally blind to the security, and the cabling. City server rooms are so security concious its laughable. One room even weighed you on the way in and the way out to check you didn’t swipe anything (or leave anything in there). Many of them had CCTV pointing at you at every stage of the torturous trip in and out (swipe cards, pin entry, physical keys all combined). After a while, you ignore it. Most server rooms have so many cables running from computer to computer that it all gets put under the floor, and round the back of some of the racks is an exercise in cable tangle hell. After a while you ignore it.

The problem with being a small team or lone game designer, is you ignore those really obvious faults, inconsistencies, confusions, bugs and irritations, not because you don’t care, but because you cannot see them. Most US game designers don’t realise all the elves have mid-west accents. Nobody thinks their accent sounds weird, but it always does, to other people. Cockney elves may sound amusing, but to a cockney, a mid-west elf is just as silly.

I’m sure I’m making the same mistake with my new game, but I’m doing what I can to avoid it. Different people, of different ages, genders and nationalities are giving it a try. They always spot things I never would have, because I’m blind to them. If you are making a game on your own, you are also blind to your mistakes. Get someone else to take a look, and listen to what they have to say.