Game Design, Programming and running a one-man games business…

Production Line GUI usability issues

I have been turning my attention recently to improving the usability and intuitiveness of the design for Production Line. I run some ads to promote the game, and have to assume a bunch of people buy it and play it without ever seeing me or anyone else play it in a video, have not read about it anywhere, and are relying purely on the in-game tutorial. Of course tutorials are all well-and-good, but ultimately the aim has to be to have a game design and GUI so intuitive that it just feel obvious to the player and they don’t get frustrated or stuck.

The next update (1.31, coming tomorrow with any luck), comes with a whole bunch of cool usability improvements. Supply stockpiles and new car designs now copy all existing options, which makes them much more useful features. there are some pricing and production hints on the sales matrix, and a host of other things. I have identified 2 small areas that I think are still confusing and want to improve upon…

The first is the interface for choosing which cars to produce. Basically the game starts with just one design, and only when you have created extra models do you need to worry about this. To edit the ‘production schedule’ you need to go the the slot at the very start of the production line (there may be several lines), click it to launch its details screen, and then notice the new button that gives you access to this feature (which is then relatively well explained).

There are several problems here:

  1. The player may not even realize they need to do this, and assume the cars are equally produced.
  2. The player may have no idea where the start of their line is, at first glance.
  3. The player may not spot the new button even if they do click on the start of the line.

There are a bunch of solutions to this. Firstly, I could stick a big fat warning on the car design window, along with a new stat showing production last hour, alerting the player to the fact that no production of this car is currently scheduled. Maybe add a tooltip on there explaining what to do to get to the production schedule screen?

Secondly, I could have a permanent icon floating above the start of the line indicating this is where the production scheduler is, and maybe double up as a button that launches the scheduler for that slot.

Thirdly maybe I need something more obvious than just a text button, something with icons, and which draws the players eye much more on that slot window? Just a button with ‘Change’ on it is kinda awful :D

Thats just the first usability issue. The second is a problem relating to missing features on cars, something that is very badly communicated to the player. The player selects which features should be applied to each of their various car designs, with some getting tons of them, and cheaper models getting few. This means that at a slot such as ‘fit wheels’ some cars will get alloy wheels, some will not. Thats fine, but sometimes the player gets out of synch, and researches the ‘alloy wheels’ tech, applies it to some designs, and then forgets to upgrade all the slots that fit wheels. (Or at least all the ones the expensive cars go through).  We currently have yellow text in the showroom for cars which have ‘missing’ features, but it makes absolutely no distinction between features missing because the cars production pre-dated this feature (old stock), and ones where there was a screw-up and a feature got missed.

Ideally the screw-up should never happen, but I’m wary of stopping the whole line when this happens. That may be confusing, and will need explanatory GUI anyway. However, it may be the best option. I could reserve that yellow text just for stuff which was really missed, and maybe leave it in white or labelled differently for stuff which is just ‘old stock’. That would at least distinguish between the two. I guess I could also have a popup on the vehicle as it goes around the factory to show a missing feature, so the player notices this before it gets as far as the showroom (by which time many poorly-configured cars have been made).

I’m still musing on the best solution to this.

A heads-up on future stuff. I will ship 1.31 this week, then I’m away for a week from Sunday, and just after that will have a booth at the EGX show in the Birmingham NEC in Birmingham UK. Please do come along if you can and say hi, or try the game (if you dont already have it). press interviews most welcome!

I guess I should point out to any new readers that Production Line is in Early Access on steam/GoG and direct from us. its $15.99 and you can grab a DRM-free copy, together with a steam key from the link below…

Boxed myself into some design problems I really need to fix.

There are a number of things wrong with the nitty-gritty fine detail of Production Line’s design. I don’t mean easily adjusted stuff like ‘this costs too much’ or ‘that happens too quickly’, but actual design issues that may require me to change the way some of the mechanics work. Here is an explanation and some background:

Production Line is a car game where cars move along a production line from one ‘slot’ to another, and new components such as doors, engines, wheels etc get added at each slot. Different cars may be different designs, meaning they get a different series of components added. For example all cars get wing-mirrors added, but some get heated wing-mirrors, some get heated+folding wing-mirrors, and so on. Where I have gone wrong is this ‘fitting complex components’ mechanic.

Essentially, the problem comes from the relative simplicity of when I first started work on the game. For example, fitting door panels was just a thing that happened, taking X minutes to do. Then I added a new feature ‘car alarm’ which I decided could be fitted at the door panel slot. This slightly slowed down that slot. (For cars with alarms). then came lane-collision avoidance tech, which again involved extra components at the ‘fit doors’ slot. Then came keyless entry…and so on. As a result, something that was once simple (fit door) became really complex, and really slow, causing a bottleneck not only due to the sheer penalty time for all those features, but also waiting for all the myriad of components (sensors, alarms etc) to arrive for each door, meaning the slot was often ‘waiting for resources’. This also felt unrealistic. Surely the doors get fitted with all this stuff already assembled?

Because I’m clever I fixed this.

Now you have a system where some upgrades (folding/heated wing-mirrors is one) can only be installed if you make them yourself. As a result, you have a slot in the game that will manufacture wing-mirrors, and you can then upgrade THAT slot, and it will attach extra ‘features’ to each wing-mirror. The wing-mirror then gets requested by the fitting slot, attached to the car and the final car now has the features it wanted, fitted no slower than the normal wing-mirror.

A combination of method A and method B of adding features keeps a nice balance between bottlenecks and free-flowing of the line, encourages the player to experiment with local production, and adds to the complexity, maybe even the fun of the game?

Unfortunately it leads to big problems!

Imagine a situation where there are two car designs, Budget and Luxury, and production alternates so the line sees B,L,B,L etc. B has basic wing mirrors, luxury has everything… A local production slot ‘factory’ is upgraded, and thus churning out a load of heated & folded wing-mirrors. This is the process by which it all screws up:

The fitting slot encounters a BUDGET car. It fits some basic wing-mirrors, which because its closer to an importer than the factory, it imports. It also fills up the pare 14 slots with new basic wing-mirrors.

The fitting slot now encounters a LUXURY car. It now needs wing-mirrors that are heated and folding. Should it trash 2 wing-mirrors and order them from the factory? if so, does the player get the trashed items refunded? What about numbers…does it order just 2? or 14. it cannot be 100% certain that the end car (due to complex junctions) will be a Budget or Luxury. It has no idea. Does it order half and half? what if there are four designs? or eight and they all have different combinations, and production ratios? How many do I order? Also…back at the production slot, should I be just making a bunch of fully-loaded wing-mirrors? or some ratio? how do I set this? is it automatic? does the player decide?

Plus…because some components now have upgrades, how the hell is the supply stockpile GUI even working any more? when I say this stockpile should be full of wing-mirrors…which type? does it care? should the player be able to control this? how?

Why did I start making video games? what the fuck am I doing with my life? What made me think I know how to do this? ARGGGHHH.

Obviously this can be solved somehow, but I need to do it properly and not flail around coding random hacks, which is basically how I ended up here. How on earth am I going to fix this mess? Here are some solutions, not all to the same exact part of the problem, and not mutually exclusive:

Solution A: Downgrade components where required.

In other words, when we fit a wing-mirror to a budget car, we effectively snip the wires, and it acts just like a cheap wing mirror. We fucked up here in some ways, and spent the money to make an expensive component that got wasted. This is effectively very simple to implement, as some code can handle this at the fitting stage (stripping inappropriate features before adding them to the car). This is potentially very frustrating to the player, as if they want to produced everything locally, they are effectively wasting money (and resources) on every cheap car they produce. This is not efficient, and efficiency is the key to the game :(

Solution B: Scrap the idea of embedded features in components.

This means that all the component fitting is done *at the assembly line*. So factory slots now just make wing-mirrors, and the upgrades move to the fitting slot. This simplifies the games design from a tutorial POV very much, but it re-introduces big bottleneck, is very unrealistic, and involves a lot of change which will fuck up save games. Plus it doesn’t solve the core problem anyway, we still may have the wrong resources at the fitting stage.

Solution C: Allow manual configuration of assembly-line stockpiles.

Right now, the player has no control over what components a fitting-slot orders. It decides what to order when a new car arrives, and it then ‘over-orders’ on the assumption that the following car will be the same design. Because the player knows that all those aluminium stocks for an aluminium body shell are not needed for 90% of the cars, he/she could specify what to keep in stock instead, giving the player micro-management. The downside is this will not work AT ALL if you go BBBBBLLBBBBBLL, and thus the local ‘caching’ demands change. Plus its rife with the possibility of bugs, and confusion.

Solution D: Allow automatic ‘flushing’ of unused resources in a stockpile.

If I order 5 chunks of aluminium for a body-shell, and then take the effort to order another 11 to fill my stockpile, but the next car doesn’t use aluminium, I should immediately flush (probably refund) all those spare aluminium chunks the minute I realize this. This would eliminate a current ‘blocking’ problem, but mean that if my cars go BLBLBLBL (where L uses aluminium), I am constantly wrong-ordering and flushing. In a sense, this is for the player to spot and fix right?

Solution E: Express composite resources as their own resource.

Life might get simpler if I allow the player to refer to ‘folding wing-mirror’ ‘heated wing-mirror’ and ‘folding,heated,wing-mirror’ rather than just ‘wing-mirror’ in terms of supply stockpiles etc. This only solves a minor issue, regarding supply stockpiles, and vastly complicates the supply stockpile resource picker list (and others for that matter0. However this would theoretically allow the player to import them ready-made rather than produce stuff locally, which gives the player more flexibility.

ARGGGH.

I’m in a design mess here. It *will* get better, probably through a process of far better tutorial & player feedback combined with some combination of the changes listed above. I’m interested to know how annoying all this mess is for actual players right now. Have you encountered any of this? does it bother you? do you think I’m getting too fixated? Is this just something you enjoy working around? How bad is it? :(

 

Get to your cubicle and stay off the factory floor. (Production Line 1.27)

I released a patch for production line recently, then found a minor save game bug that I patched right away. There is a long list of stuff we improved and added and changed, so here is the full list:

[version 1.27]
1) [Design] Touchscreen is now an upgrade for fit dashboard instead of fit electronics.
2) [Bug] Fixed bug where the AI would be very reluctant to research air conditioning or polished paintwork.
3) [Bug] Placing facilities and slots is now correctly recorded as a capital expenditure in expenses charts.
4) [Bug] Bubble next to car sales icon now expands to show numbers greater than 999 correctly.
5) [Bug] Fixed visual bug where scrolling in the sales showroom resulted in invisible cars.
6) [Balance] Research costs of some later-game research items have been increased.
7) [GUI] Various improvements to the style scheduler window.
8) [Feature] Marketing campaigns can now be launched to boost brand awareness, and thus visits to the showrooms.
9) [Bug] Fixed crash bug if the game autosaves within a minute of a manual save, the next time the save dialog was launched.
10) [Bug] Fixed bug in slot-picker where expand icon buttons (+/-) would not unlock when research triggered if slot picker was open.
11) [Bug] Fixed bug where the market screen doesnt show the correct market segment of cars until you have viewed them in the car design screen.
12) [Bug] Fixed bug where cars would have a red error message on them if the next slot was a really long conveyor journey away.
13) [GUI] The style scheduler at the start of the production line now lets you edit existing quantities of entries.
14) [Feature] Wingmirrors can now be manufactured, and also have folding and heated upgrades.
15) [Balance] Costs of wingmirrors and alloy wheels has gone up. Making alloy wheels requires more steel.Keyless entry worth more, requires 2 chips.
16) [Balance] Resource prices are now affected by demand from AI competitors.
17) [Balance] Crossing up to a new price category now produces a ‘bump’ in value which prevents pricing anomalies.
18) [Tutorial] New pop-up explains what to do when you have researched a new body style.
19) [Balance] Increased price of last robot upgrade so its less of a no-brainer upgrade. Also slight increase in power-draw.
20) [Feature] Offices (marketing and research) can now only be placed in office areas zoned on the map. Non office items cannot be placed there.

There is some cool stuff in there, and I think that 8) is a big change (ooh look! actual marketing!) and 14 adds new stuff to research and play with, plus the combination of 16),17) and 19 is actually pretty vital (and much needed) to increase the extent to which the long term game is balanced. The game has definitely tended towards easy, with cash becoming a non-problem once you have put a good few hours in and done half or most of the tech upgrades. balancing a game is hard, and a constantly moving target as new features and bug fixes go in, so this is something I will have to constantly revisit.

However, probably the biggest obvious gameplay change in there is that last one, which frankly was a last-minute decision to add. (I have mused on the mechanic for a while, but made a last minute decision to actually include it now rather than later).

Basically the old game let you slap down a research office or marketing office anywhere on the map. The new game sets aside dedicated office space which cannot be moved or expanded. Nor can you build production stuff in there. It adds a new restriction on the game which may annoy existing players used to the free-form style of the previous version. So why did I do it?

  • Firstly, the  corralling of offices like this prevents ‘research spamming’. Essentially you could ‘cheat’ in the game by slapping down 30 or 40 research centers right at the start using a loan, and then splat through all of the research in record time. You then had an advantage over the AI, and could quickly start producing cars with high tech, and never put down a single production slot without access to a bunch of upgrades. I disliked the ‘spirit’ of this approach, and it seemed unlikely to be practical in the real world. You wont get financiers to back a 10 billion dollar car company that employs nothing but researchers. I like the idea of encouraging research alongside the game, not as a prelude to it.
  • Secondly it introduces some new difficult and strategic decisions. The layout of the factory is now slightly more complex, and the positioning and size of research centers is more tricky. it also encourages upgrading to more efficient research offices (space-wise) which otherwise had little to recommend them. Plus when it comes to expansion, it means you have another factor to take into account when choosing potential lots to acquire.
  • Thirdly it feels more ‘real’. In a real factory researchers desks are not next to car-body stamping machines, for obvious reasons. This makes the layout look more like a real factory and less like a game, which has to be a good thing :D.

Its always going to be difficult making a gameplay change during early access. So far I haven’t got any angry shouts at me, and we have over 20,000 players, so that looks like its a good sign. I *do* need to include a LOT more tutorial hints as to what is going on, as its not explained at all, but I think in the long run, the effect this change will have will be seen as positive for the experience of the game. I guess only time, and checking of forums, reddit, twitter and facebook posts (and blog comments) will really tell. I expected more outcry YTBH, so it seems things are going well (or people upgrading slowly :D).

In unrelated news my construction hat for my EGX booth is now here, along with Production Line stickers :D

Production Line Marketing: Balancing out the factors

Not marketing the game…but marketing *in the game*. As You may be aware, my car factory sim Production Line got its first taste of marketing as a feature in the last patch (1.26). The current setup is very simple, you can research marketing, then place down marketing facilities that generate ideas, but nothing else (yet). In the next patch, the games marketing system will be fleshed out more, introducing marketing campaigns which you can use to generate brand awareness. here is a screenshot of the resulting new dialog box:

This is all in, coded, tested, and works. So hurrah. SHIP IT.

Maybe not yet, as it requires balancing, and when considering how best to do this, I made the following list of potential balancing factors I should consider to get things right first:

  1. The research cost of marketing as a base research item
  2. The purchase cost of a marketing facility
  3. The running cost of a marketing facility
  4. The idea requirements of each campaign
  5. The idea generation rate
  6. The cost requirements of each campaign
  7. The effects of each campaign and the variability of those effects.

Obviously this is effectively a system of counterweights, where increasing or decreasing one will impact all the others. There are reasons for/against changes to any one of these. Ideally marketing campaigns last long enough that they are not too ‘needy’ in terms of interrupting the player. The effects should be noticeable and strategic, but not unbalancing or sure-wins. Marketing will work great as a mid-to-late game feature, so it shouldn’t be attainable too early. It should be something that requires an investment, but not a crippling one, and one that generates a positive ROI in general.

Thinking about the real world, a marketing campaign is essentially a fixed cost, one that you hope makes a positive ROI when spread over a sufficient number of sales. I would like to engineer a system that means it makes sense to run a $500k print campaign if you are selling 10X cars, but maybe not worth it if you are selling just 1X. To put it ion car terms, if you have a single showroom in one city, spending $500k to increase footfall in that showroom by 50% wont be worth it, but if you have 10 showrooms and 10x the potential customers, it will be.

Right now we have a system where there are 3 car body types and 4 price points, so 12 customer categories. Those categories have no fuzziness, so if I want a mid-range compact car, no amount of bargain pricing or marketing will change my mind on that basic fact (I may introduce some fuzzy logic to this later). What this means is, if I have a single car model, then 11/12 of my customers are wasted anyway…

With a general ‘brand awareness’ campaign (the only type I’m working on this month), it will not make any sense (hopefully) to do this for only 1/12th of your customers. In effect, I’d be generating even more footfall from people who come into the showroom and say ‘I keep hearing about positech autos, but they don’t make SUVs in my price range’. A waste of money… If I have a fully kitted out range of cars, that calculation changes.

Lets examine my test numbers:

A print campaign lasts 24 hours and costs $500,000 to run. It boosts brand awareness (and thus footfall) by (on average) 10%. Current footfall is 5 customers per ‘sales interval’ (which is 4 seconds, or 4/120 of an hour) That means we get (on average) 150 customers per hour, and this campaign will mean a bonus 15 customers per hour. 24 hours means a bonus 360 customers. This means its cost us $1,388 per customer through the door.

Assuming that we offer cars to 50% of the possible market (note not all of the 12 categories have the same market share), then we have to double that to $2,777 per customer. Assuming an average car sale of $20,000, we are selling cars with a 13% marketing spend. That actually sounds pretty reasonable.

Of course, the real strategy for the player comes in when they have cars piling up in stock, or not. When you have excess stock building up, you can ALWAYS shift them by dramatically lowering the price. The strategy will be in knowing whether or not it makes more sense to lock in $500k to bring in *more* customers to view those cars, or to lower the price.

I like the way this is balancing out, because without explicitly saying “this is a late game feature”, it becomes evidently true because its not worth advertising to the mass market without having a mass-market range. The real problem is how I convey that to the player. Player-feedback is something that production line is currently bad at, and something I need to work on. I could maybe have a pop-up from your head of marketing that runs through those numbers… a dialog saying “our campaign has resulted in X new customers, so $X per customer, but only Y% of them found a model in our range they would consider. Maybe we need to expand the range?”

As usual; in complex sim games, it becomes a case of 25% code the feature, 25% test the feature, 25% balance the feature, 25% explain the feature. I guess I’m half way there for brand-awareness marketing…

Deliberately frustrating fun

A lot of words have been written on the topic of flow in game design. Mentioned frequently alongside ‘mastery’, the general concept is that players enjoy a feeling of relatively stress free-calm travel through an experience where they encounter little resistance or setbacks, and preferably no ‘hard stops’.

With one aim of commercial game success being tied to keeping people playing longer (often because the highly connected gamer effectively ‘broadcasts’ their choice of entertainment to logged-in friends), creating and maintaining a sensation of ‘flow’ within the player is seen as highly desirable.

A typical game design that works well with this system is the match-3 puzzle game, or tetris. A never-ending game with a simple, but satisfying mechanic that rewards mastery yet will allow uninterrupted play in relaxed, stress-free state.  Such games can be very popular, no doubt very popular. Obviously, we have lots of them.

My latest game ‘Production Line‘ is a weird hybrid of two different design goals, to create a sense of flow, but to interrupt, pause, disturb and frustrate that flow, deliberately so as to create the endorphin rush as that frustration is fixed. Effectively what I’m doing to creating a design where the enjoyment comes not just from the state of flow, but the satisfaction and catharsis of fixing an impediment to that feeling.

Creating a ‘well-oiled machine’ creates a strong sense of satisfaction and happiness in many gamers. Its perfectly natural to look upon something you have arranged and see it work flawlessly. For some reason, this seems to appeal particularly to Germans. It also appeals strongly to me, I enjoy the sense of scale, control, to be honest- POWER that come from having built a large impressive, complex, working… *thing*.

But watching something you created do its job is only half of the pleasure. Something in our brains seems hard wired to want the next challenge, and the next, and the next. To this end, Production Line is designed as a deliberately unsolvable puzzle, an impossible balancing act. A simulation of a system so complex it has no practical perfect solution, only progress towards perfection, but no risk of attainment.

As a car-factory simulation, this feels both natural and believable. Producing something as complex as a car requires a huge number of tasks, many of which have dependencies, and none of which will take the exact same amount of time. As a result, regardless of production scale, bottlenecks are absolutely inevitable. Flow is impossible, a dream to aspire to, an unachievable goal, but one where the struggle to achieve the goal is nonetheless enjoyable.

I suspect that the general consensus of game designers is that frustration is the enemy of fun. Frustration is a negative feeling, and one to be avoided, but games balance out the good and the bad to achieve greater pleasure all the time.  The satisfaction of finally tracking down and counter-sniping someone in an FPS who shot you six times in a row is far greater than it would be without the frustration of being picked off by them again and again and again…

I’m sure some people will look at my best known game (the political strategy game Democracy 3) and my newest car-factory sim (Production Line) and think there is little in the way of a common theme, but in design terms there definitely is. Economics is a system so complex pure balance can never be achieved. Push here and the system pulls there, just like fixing a bottleneck on a car production line, or improving the effectiveness of a part of your fleet in Gratuitous Space Battles.

Positech. We make frustrating experiences fun :D. (Hopefully)